This data stored in your MPC sequences is referred to as MIDI data, which is a standardised form of information storage and transfer, developed to allow instruments and sequencers to talk to each other in a common language.
Understanding MIDIīut as you can see, the above information is very generic and is certainly not audio! So, to make a sound from this information, you have to send this information to a piece of equipment that is capable of reading this data and knowing that this data is an instruction to play a ‘C note’.
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Plus there’s an additional, MPC specific parameter (T: 0) which is what can control the tuning of the pad, but that’s not important to this tutorial). If on the other hand you are simply triggering a pad event within a DRUM program, the sequencer information would look likeĪs you can see it’s similar, except this time because we are just triggering what is effectively an ‘internal’ sound module, the MPC just refers to the specific pad ( P:A02, which is assigned MIDI note 36, C1). how hard the sound is hit (which can be anything between 1 and 127)
“At the start of Bar 2, play a low C note for exactly one bar, at a velocity of 50” So, an example of sequencer information in plain English would be something like this: But the idea is the same, although the data looks very slightly different. ĭRUM tracks also store sequencer events, however these sequencer instructions are not used to trigger sounds from external sources, they are used to trigger sounds from your MPCs own DRUM programs.
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MIDI tracks are used to send out these MIDI instructions to external MIDI sound devices such as sound modules, other samplers, keyboard synths, and probably most commonly these days, a VST software instrument within a computer host. In a typical MPC, sequencer events are either recorded on ‘MIDI’ tracks or ‘DRUM’ tracks. Once you’ve recorded your sequence, you can then play back these instructions to the MIDI instrument and the instrument itself will play back the audio based on the instructions you send it. With a sequencer, you do not record the actual sounds from the performing instrument, you simply record note data ‘instructions’, which can consist of pitch, volume, length etc as well as the timing of that note in relation to other notes. What is a sequencer? It’s a device for recording data about musical events, rather than recording the actual audio itself. However, at the heart of every MPC is a powerful, intuitive sequencer. But in reality sampling is perhaps the weakest individual aspect of the MPC, because only the MPC4000 has a fully-fledged sampling engine and OS (thanks to it containing all the sampling features of a Z-series sampler). Many people know that the MPC is a sampler capable of recording audio from a variety of sources. In this article I’ll also be looking at the hardware configuration side of the most common two MIDI set ups, that of using the MPC to control a sound module, and of syncing the MPC to a computer DAW. Initially, the concept of MIDI can be confusing, but hopefully in this tutorial you will realise that MIDI is pretty simple and has many uses.
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